food for thought: a sociologist by the name of don kulick wrote a book called “Travesti,” named after the population he respectfully studied and interacted with.
that population would be called “non-binary” in the west, except that identity politics aren’t du jour everywhere like it is in the united states, so there weren’t any catchy buzzwords like “genderqueer.” he went on to understand their subjugation and exploitation under the sex trade (aka: rape for pay) and even discussed issues of documentation and relationships in the context of the culture this population lives in.
wanna know who hugely influenced this respectful exploration of a population worth noticing and fighting for? JANICE FUCKING RAYMOND. why? because she gives a shit about sexual exploitation via the sex trade (rape for pay.)
it’s almost like you can think identity politics are total bullshit while still caring about peoples’ lives.
lmao like the only time i EVER see hard disney fans even mention ghibli and miyazaki in comparison to disney films is in light of disney’s own mistakes and laziness like damn y’all need to calm down
lemme teach you a lil’ somethin’ somethin’ about stylistic choices in animation and sheer laziness
STYLISTIC choices is about having the full capability of creating characters separate from the previous protagonists while at the same time tying them to the studio that produced them.
And that’s not even scratching the surface.
Considering that a good portion of Ghibli’s library consists of LEAD FEMALE PROTAGONISTS who are usually very young, they need to find a set balance between recognizable and unique.
Ghibli was founded on traditional art and the studio still holds many of those values with it. This is of course including hand-drawn animation in which there is no single model, only the same character drawn over and over again. Is this about CGI vs traditional? No, both can and have provided beautiful films and scenes but it’s not about which one deserves more recognition. It’s about the methods used and how the choices for each one vary. I only bring up the animation methods because it’s part of the reason as to WHY these characters are so simplistic in design.
Still though, they need each lead character to stick to the Ghibli/Miyazaki style to a certain extent. They need to share certain qualities to make them fall in line with the rest of Ghibli’s library.
I mean, they have their differences but they’re obviously Ghibli characters so okay they all have relatively small eyebrows (though considering that they are Japanese that ties in with their ethnicity but OKAY moving on), they all have the eye highlight thing going on, and they all have very non-pronounced noses. I suppose yeah those are all the same. They do shift but those characteristics are roughly the same.
Still though, that isn’t a problem nor is it blatant same-facing. All LAIKA characters have skewed noses, all Dreamworks characters have thin noses, and all Aardman characters have bulgy eyes. Does that mean they’re same-facing? No. It means they’re sticking to stylistic choices to keep themselves separate from the competition.
Don Bluth MADE the choice to stick to a style closely resembling Disney. You know what happened? A whole generation grew up thinking that Anastasia and Thumbelina were both DISNEY films, not Bluth and Fox animation.
There’s a reason why studios tend to go for their own set style.
But hey! Want even more evidence that it’s a stylistic choice?
Because THE VERY SAME CHOICES CAN BE SAID FOR THE DUDES
Save for Haku because he’s a fuckin’ dragon.
While gender is never really brought up in Ghibli films, masculinity and femininity are both neutral here, it’s safe to say that their designs and treatment are both equal. Ghibli isn’t out to make exclusively beautiful/handsome characters, they make them as simple as possible to keep them relatable and much more easier to manage.
The difference here is that Disney has always set out to make their MALES different while sticking their females to the same “doe eyed, small nose, thin lips” ideal. Yes, there is a set Disney style and it has always focused on those features and that necessarily isn’t a bad thing. It’s the Disney style. HOWEVER it seems to only apply to their females. Even worse is their marketing of said females.
GOTTA KEEP THEM GURLS PURTY
The Disney style has shifted from time to time and it shows evidence that it CAN include more diverse female designs. Both Kida and Calhoun are wonderful examples of this. It’s not as if Disney hasn’t evolved or changed their views on female characters to a certain extent. Unfortunately, said shifts haven’t always worked out in our favor or headed in the right direction. It wasn’t until Tangled that Disney came out with it’s true “get richer quicker” scheme with their female leads.
watch as i shift into MAXIMUM PUNZEL-DRIVE
As of late it’s Disney’s sheer laziness when it comes to female design and their own avarice that has caused SUUUUCH a dramatic shift in how fans are taking the Disney style now. When Ghibli audiences and fans never look at a new movie and go “oh it’s Chihiro but tiny” or “oh it’s Chihiro but on a broom.” That is the set style, not a lazy copy-paste.
But hey, let’s bring in OTHER females to see how this works out. I mean, the Ghibli style is prevalent to ALL of their characters so surely they all the parents look exactly like their children.
Let’s look at these lovely lady leads and compare them to their parents.
Congrats, kids, you’re all adopted!
WEIRDLY ENOUGH all of the characters and their parents (if they have any) share same characteristics while at the same time remaining completely unique to each other. It’s almost as if they also take after their father and/or previous generations of their familly. Haha, genetics!
But okay, let’s be a little more fair with Disney.
Let’s look at two families with two daughters.
Mitosis or go home
There is having stylistic choices and there is being lazy.
There is creating a character with similarities to their parent and there is making a recolor of your lead character.
There is creating simple designs for a traditionally animated film and there is reusing the same model because it worked so well the first time.
There is being a small Tokyo-based studio with 300 employees and there is being a large American animation studio with 800+ employees.
THAT is why no one ever complains about Ghibli’s approach to character design and THAT is why Disney doesn’t even come close to Miyazaki.
Let’s finish this off with some MORE wonderful Ghibli characters (most of which being my personal favorites so they belong on here too.)
Now go watch more Ghibli.
SONNED TO OBLIVION
If gender was performance, then there would be a way to perform that didn’t result in rape for women. But men rape housewives. Men rape butch lesbians. Men rape quiet women in dresses and lipstick. Men rape snarling punks in leather jackets and safety pins. Men rape every type of woman. There is no way for a woman to be that doesn’t risk rape. There is no way to perform that lets women escape the confines of gender because gender is not performance; it’s the designator of who can rape – us, the people called men – and who can be raped – them, the people called women. Performance has nothing to do with it.
When gender is a violent, unnatural hierarchy we are born into, the abuse of females is understood as a brutal result of a power structure that subjugates one class of people to another. When gender is an internal, subjective choice we make, the abuse of females becomes a hazard of identification, a set of circumstances implicitly welcomed by anyone who puts on a particular performance – or even an “affirmation of femininity”, in the words of a particularly noxious figure in the trans community.
Conversely, linking the massive privilege bestowed on men to an internal state erases the structural and political institutions that give power to males at the expense of females – and, shockingly, the ideology that does this is being largely pushed by males with the hopes of gaining access to female spaces, female resources, and female identities. This should be troubling to anyone who seeks to challenge actual, real male supremacy – not male-identified supremacy, not cis-male supremacy, not person-with-this-certain-set-of-feelings supremacy. Male supremacy. You know, the violence men do, to women, because we can.
The heart of gender performativity as a concept is a twin project of blaming victims and excusing perpetrators. By obscuring the brutality of our sex-caste system in a postmodern mist that privileges the internal identifications of men – the oppressors – over the material conditions of women – the oppressed – any attempt to throw the strongholds of patriarchy into focus is immediately neutralized. On queer theory, men win, women lose. What a surprise.
"dont forget skinny girls! we face body shaming too!" how could we ever forget about you, you are everywhere- in magazines, on tv, on catwalks, and in the minds of people whove been brainwashed into thinking you and you alone are the epitome of beauty. you are what fat girls get told we should be on a daily basis. we understand you can be hurt by body shaming at times, but the overall opinion of your bodies is a positive one in this society while the opinion of fat girls is that we are ugly, unlovable, grotesque, that we are comedy relief and its ok to ridicule us. you are universally favored over us. quit acting like we face equal shaming in regards to body weight. just because that one person that one time like two years ago made a negative comment about your skinniness does not give you the right to derail every post dedicated to the fatphobia fat women face every day of our lives. stop this behavior for the sake of your fat sisters.
Five Night’s At Freddy’s is the new horror game everyone is talking about. Kid’s and parents alike come to the this new place for entertainment (like a Chuck E Cheese). At the night, it’s a completely different story.
Can you survive five night’s at freddy’s?
You may also like Sound of Silence, a game that adapts to a person’s greatest fear
Fuckin hate this shit. I HAVEN’T BEEN ABLE TO FALL ASLEEP BETWEEN 12-6AM SINCE JUST WATCHING PEOPLE PLAY IT ON YOUTUBE. IT IS TERRIBLE.
Remember the 50’s, the good old days? Neighborhoods were safe to walk at night, men were men and women were women, the long summer days never seemed to end and you could walk hand in hand with your best gal into the local space-time anomaly and never be seen again.
No, friendship is NOT about “supporting your friends even when you know they’re wrong.”
That’s not friendship. That’s being an enabler. That’s being an accomplice.
Friendship is loving someone enough to tell them to stop being a goddamn idiot before they ruin their lives.